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Bucklet

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Buckles fitted with "T"-, anchor-, or spade-shaped chapes avoided this problem but needed a slotted end in the belt to accommodate them. The prong also named pin is typically made out of steel or other types of metal.

In conventional belts, the prong fits through the buckle to secure the material at a pre-set length. Prong is only used when the tongue is permanently fixed in position.

The bar served to hold the chape and prong to the frame. When prongs and chapes are removed from the buckle design, the buckle incorporated a movable bar relying on the tension of the adjusted belt to keep it in place.

The first known buckles to be used were made out of bronze for their strength and durability for military usage.

For the last few hundred years, buckles have been made from brass an alloy of copper and zinc. In the 18th century, brass buckles incorporated iron bars, chapes, and prongs due to the parts being made by different manufactures.

Silver was also used in buckle manufacturing for its malleability and for being strong and durable with an attractive shine. White metal, any bright metallic compound, was also used in all styles of buckles; however, if iron was present, rust will form if it is allowed to be exposed and remain in damp conditions.

Since a reasonable size flat surface was needed to make a buckle, oyster was commonly used to make these types of buckles. The quality and color of course vary, ranging from layers of yellow and white to brown or grey.

When preferred materials were scarce during the Great Depression of the s and the two World Wars, buckles became a low priority and manufactures needed to find ways to continue to produce them cheaply.

Makers turned to wood as a cheap alternative since it was easily worked by hand or simple machinery by impressing the designs onto the wood. But there were problems using wood.

Buckles were not entirely made out of leather because a frame and bar of leather would not be substantial enough to carry a prong or the full weight of the belt and anything the belt and buckle intend to support.

Buckles were not made out of glass; rather the glass was used as a decorative feature that covered the entire frame of a metal buckle. One method of creating glass buckles was gluing individual discs of glass to the metal frame.

Another more intricate method was to set a wire into the back of a glass disc, and then threading the wire through a hole in the fretted frame of the buckle.

The glass was further secured by either bending it over the back of the frame or splayed out like a rivet.

Celluloid , a type of thermoplastic invented in , was used sparingly and only for decoration until after World War I where it began to be produced on a wider commercial scale.

After World War II, the chemical industry saw a great expansion where Celluloid and other plastics such as Casein and Bakelite formed the basis of the buckle-making industry.

Although any device that serves to secure two loose ends is casually called a buckle, if it consists of two separate pieces with one for a hook and the other for a loop, it should be called a clasp.

Clasps became increasingly popular at the turn of the 19th century with one clear disadvantage: A buckle without a chape or prongs is called a buckle trim or slide.

It may have been designed this particular way or it may have lost its prongs through continuous use. On June 4, two locals spotted his body in the Wolf River near a riverboat, and he was brought to land.

Buckley was in a good frame of mind prior to the accident. He possessed a tenor vocal range that ranges between three and a half to four octaves.

The pitch and volume of his singing was also highly variable, as songs such as "Mojo Pin" and "Dream Brother" began with mid-range quieter vocals before reaching louder, higher peaks near the ending of the songs.

Buckley played guitar in a variety of styles ranging from the distorted rock of "Sky is a Landfill", to the jazz of " Strange Fruit ", the country styling of "Lost Highway", and the guitar fingerpicking style in "Hallelujah".

He occasionally used slide guitar in live performances as a solo act and used a slide for the introduction of "Last Goodbye" when playing with a full band.

When on tour with his band, he used Fender Amplifiers for a clean sound and Mesa Boogie amps for his overdriven tones. Clouse , as well as Chris Cornell.

The album achieved gold sales in Australia in A previously unreleased recording of " I Shall Be Released ", sung by Buckley over the phone on live radio, was released on the album For New Orleans.

Since his death, Buckley has been the subject of numerous documentaries: An hour-long documentary about Buckley called Amazing Grace: Jeff Buckley has been shown at various film festivals to critical acclaim.

There are three annual Jeff Buckley tribute events: In , tapes of a recording session for Columbia Records were discovered by Sony executives doing research for the 20th anniversary of Grace.

The recordings are to be released on an album, You and I , scheduled for March and featuring mostly covers of songs recorded previously by other artists.

The campaign picked up support through social networking websites and it soon spread to the mainstream media.

From Wikipedia, the free encyclopedia. Alternative rock folk rock soul blues. Vocals guitar keyboards piano dulcimer percussion drums.

Shinehead Gods and Monsters. Grace Jeff Buckley album. So Real Live at Nighttown. Sketches for My Sweetheart the Drunk.

Archived from the original on Transcribed from Raygun Magazine to jeffbuckley. Transcribed from The New York Times to jeffbuckley.

Continuum International Publishing Group. Transcribed from Musician Magazine to jeffbuckley. Transcribed from B-Side Magazine to jeffbuckley.

Transcribed from Rolling Stone to jeffbuckley. Transcribed from DoubleTake Magazine to jeffbuckley. Transcribed from Buzz Magazine to jeffbuckley.

Transcribed from Rolling Stone by pennyarcade. Transcribed from New Jersey Beat Magazine to jeffbuckley. Transcribed from Sony Music Entertainment Inc.

Retrieved March 18, Transcribed from Mojo Magazine to jeffbuckley. Sydney Morning Herald transcribed for jeffbuckley. Recording Industry Association of America.

Australian Recording Industry Association. Everybody Here Wants You Documentary. Transcribed from NOW Magazine to jeffbuckley.

Archived from the original on May 9, Transcribed from Village Voice to jeffbuckley. Archived from the original on January 18, Archived from the original on January 6, Transcribed from OOR Magazine to jeffbuckley.

An ornament that resembles this clasp, such as a metal square on a shoe or hat. To become fastened with a buckle. To give way; collapse: My knees buckled with fear.

To succumb, as to exhaustion or authority; give in: Buckle your seat belt. Switch to new thesaurus.

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This reverse curve shape made it easier to thread the intended thick material end over the bar. But the shape of the frame is not limited to simply squares and ovals, the decoration of the frame itself defines the shape it will turn out to be.

Since the frame is the largest part of the buckle, any and all decorations are placed on it. Decorations range from wedged shapes, picture references to people and animals, and insignia of a desired organization.

Chapes or "caps" of various designs could be fitted to the bar to enable one strap end to be secured before fastening the other, adjustable end.

This made buckles easily removable and interchangeable, leading to a significant advantage since buckles were expensive. Buckles fitted with "T"-, anchor-, or spade-shaped chapes avoided this problem but needed a slotted end in the belt to accommodate them.

The prong also named pin is typically made out of steel or other types of metal. In conventional belts, the prong fits through the buckle to secure the material at a pre-set length.

Prong is only used when the tongue is permanently fixed in position. The bar served to hold the chape and prong to the frame.

When prongs and chapes are removed from the buckle design, the buckle incorporated a movable bar relying on the tension of the adjusted belt to keep it in place.

The first known buckles to be used were made out of bronze for their strength and durability for military usage.

For the last few hundred years, buckles have been made from brass an alloy of copper and zinc. In the 18th century, brass buckles incorporated iron bars, chapes, and prongs due to the parts being made by different manufactures.

Silver was also used in buckle manufacturing for its malleability and for being strong and durable with an attractive shine. White metal, any bright metallic compound, was also used in all styles of buckles; however, if iron was present, rust will form if it is allowed to be exposed and remain in damp conditions.

Since a reasonable size flat surface was needed to make a buckle, oyster was commonly used to make these types of buckles.

The quality and color of course vary, ranging from layers of yellow and white to brown or grey. When preferred materials were scarce during the Great Depression of the s and the two World Wars, buckles became a low priority and manufactures needed to find ways to continue to produce them cheaply.

Makers turned to wood as a cheap alternative since it was easily worked by hand or simple machinery by impressing the designs onto the wood.

But there were problems using wood. Buckles were not entirely made out of leather because a frame and bar of leather would not be substantial enough to carry a prong or the full weight of the belt and anything the belt and buckle intend to support.

Buckles were not made out of glass; rather the glass was used as a decorative feature that covered the entire frame of a metal buckle.

One method of creating glass buckles was gluing individual discs of glass to the metal frame. Another more intricate method was to set a wire into the back of a glass disc, and then threading the wire through a hole in the fretted frame of the buckle.

The glass was further secured by either bending it over the back of the frame or splayed out like a rivet. In mid, Buckley began working on his first album with record producer Andy Wallace.

In September, the trio headed to Bearsville Studios in Woodstock, New York to spend six weeks recording basic tracks for what would become Grace.

Buckley invited ex-bandmate Lucas to play guitar on the songs "Grace" and "Mojo Pin", and Woodstock-based jazz musician Karl Berger wrote and conducted string arrangements with Buckley assisting at times.

Grace was released on August 23, In addition to seven original songs, the album included three covers: Sales of Grace were slow, and it garnered little radio airplay despite critical acclaim.

And I find his stuff absolutely haunting. Buckley spent much of the next year and a half touring internationally to promote Grace.

The tour continued in Scandinavia and, throughout September, numerous concerts in Germany were played.

The tour ended on September 22 with a concert in Paris. A gig on September 24 in New York dovetailed on to the end of the European tour and Buckley and band spent the next month relaxing and rehearsing.

A tour of Canada and the U. The tour was far reaching with concerts held on both East and West Coasts of the U. The band began the tour in Dublin ; Buckley has remained particularly popular in Ireland.

In late January, the band did their first tour of Japan , playing concerts and appearing for promotion of the album and newly released Japanese single "Last Goodbye".

The band returned to Europe on February 6 and toured various Western European countries before returning to the U. Among the gigs performed during this period, Buckley and his band performed at a 19th-century-built French venue, the Bataclan , and material from the concert was recorded and later released in October of that year as a four track EP , Live from the Bataclan.

Songs from a performance on February 25, at the venue Nighttown in Rotterdam , were subsequently released as a promotional-only CD, So Real.

Touring recommenced in April with dates across the U. Following this was a month-long European tour between June 20 and July 18 in which they played many summer music festivals.

Although he had failed to fill out smaller American venues at that point of his career, both nights at the large Paris Olympia venue were sold out.

Buckley was so well received during these concerts that his album Grace went gold in Australia, selling over 35, copies, and taking this into account he decided a longer tour was needed and returned for a tour of New Zealand and Australia in February the following year.

Between the two Oceanian tours, Buckley and the band took a break from touring. The concert on March 1, was the last gig he played with Buckley and his band.

Many of the other concerts Buckley played during this period have surfaced on bootleg recordings. There was a time in my life not too long ago when I could show up in a cafe and simply do what I do, make music, learn from performing my music, explore what it means to me, i.

In this situation I have that precious and irreplaceable luxury of failure, of risk, of surrender. I worked very hard to get this kind of thing together, this work forum.

I loved it and then I missed it when it disappeared. All I am doing is reclaiming it. After completing touring in , Buckley started to write for a new album to be called My Sweetheart the Drunk.

Buckley worked with Patti Smith on her album Gone Again and met collaborator Tom Verlaine , the lead singer for the punk band Television.

Buckley asked Verlaine to be producer on the new album and he agreed. Eric Eidel played the drums through these sessions as a stop-gap between the dates drummer Matt Johnson left and before Parker Kindred joined as full-time drummer.

Together, they contributed a track to Kerouac: Kicks Joy Darkness , a Jack Kerouac tribute album. He played numerous times in order to work through the new material in a live atmosphere, at first with the band then solo as part of a Monday night residency.

These recordings would go on to compose the second disc of Sketches for My Sweetheart the Drunk. However Buckley was not entirely happy with the results and he sent his band back to New York while he stayed behind to work on the songs.

The band was scheduled to return to Memphis for rehearsals and recording sessions on May The same evening, Buckley went swimming in Wolf River Harbor , [] a slack water channel of the Mississippi River , while wearing boots and all of his clothing and singing the chorus of the song " Whole Lotta Love " by Led Zeppelin.

After moving a radio and guitar out of reach of the wake from a passing tugboat , Foti looked up to see that Buckley had vanished.

Despite a determined rescue effort that night as well as the morning after by scuba teams and the police, Buckley remained missing.

On June 4, two locals spotted his body in the Wolf River near a riverboat, and he was brought to land. Buckley was in a good frame of mind prior to the accident.

He possessed a tenor vocal range that ranges between three and a half to four octaves. The pitch and volume of his singing was also highly variable, as songs such as "Mojo Pin" and "Dream Brother" began with mid-range quieter vocals before reaching louder, higher peaks near the ending of the songs.

Buckley played guitar in a variety of styles ranging from the distorted rock of "Sky is a Landfill", to the jazz of " Strange Fruit ", the country styling of "Lost Highway", and the guitar fingerpicking style in "Hallelujah".

Switch to new thesaurus. To give in from or as if from a gradual loss of strength: He buckled on his sword. The metal buckled in the great heat. References in classic literature?

In journeys, when I was weary of the coach, a servant on horseback would buckle on my box, and place it upon a cushion before him; and there I had a full prospect of the country on three sides, from my three windows.

Take the whole of the nineteenth century in which Buckle lived.

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